Brains on the Outside. 'Vanishing Point' by Compagnie Philippe Genty. Her Majesty's. [review]

dc.contributor.authorBramwell, Murray Ross
dc.date.accessioned2005-12-07T05:53:23Z
dc.date.available2005-12-07T05:53:23Z
dc.date.issued2004-09
dc.description.abstractThis new show has all the signatures of a Genty production. Located next to a miniature chair, white lines on a black backdrop provide the geometric paradox of the vanishing point. From the first we are intrigued with an idea - but one that doesn’t bear too much scrutiny. Instead we are propelled by Rene Aubry’s music, a slick blend of world music samples - didgeridoo, Arabic dub and irresistible dance beats - all thrumming through the tannoys. The performers, some initially planted in the audience, take to the stage, peachily lit in Patrick Riou’s sumptuous lighting.en
dc.format.extent97838 bytes
dc.format.mimetypeapplication/pdf
dc.identifier.citationBramwell, Murray 2004. Brains on the Outside. Review of 'Vanishing Point' by Compagnie Philippe Genty. 'The Adelaide Review', September, no.252, 28.en
dc.identifier.issn0815-5992
dc.identifier.urihttp://hdl.handle.net/2328/69
dc.language.isoen
dc.oaire.license.condition.licenseIn Copyright
dc.publisherAdelaide Reviewen
dc.subjectTheatre Reviewsen
dc.subjectDrama Reviewsen
dc.subjectTheatreen
dc.subjectDramaen
dc.subjectStowawaysen
dc.subjectphysical theatreen
dc.subjectdance-theatreen
dc.subjectMary Underwooden
dc.subject.otherAustralian Standard Research Classification > 410102 Drama, Theatre and Performance Studiesen
dc.titleBrains on the Outside. 'Vanishing Point' by Compagnie Philippe Genty. Her Majesty's. [review]en
dc.typeArticleen
dc.typePreprinten
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