Simple Strength Betters Virtuosity. Adelaide Festival 2004 [review]

dc.contributor.authorBramwell, Murray Ross
dc.date.accessioned2005-12-21T03:37:51Z
dc.date.available2005-12-21T03:37:51Z
dc.date.issued2004-03-09
dc.description.abstractThe eyes have it for theatre at the Adelaide Festival. Toronto’s CanStage even opens its accomplished performance of Gogol’s sardonic story with projected titles - just like the movies. Anyone familiar with the vibrant colours and evocative details of Ngarrindjeri man, Ian W. Abdulla’s paintings will be especially drawn to Windmill’s new work, Riverland.en
dc.format.extent165974 bytes
dc.format.mimetypeapplication/pdf
dc.identifier.citationBramwell, Murray 2004. Simple Strength Betters Virtuosity. Review of Adelaide Festival 2004. 'The Australian', 9 March, 14.en
dc.identifier.issn1038-8761
dc.identifier.urihttp://hdl.handle.net/2328/244
dc.language.isoen
dc.oaire.license.condition.licenseIn Copyright
dc.publisherThe Australianen
dc.subjectFestival reviewen
dc.subjectArts festivalsen
dc.subjectAdelaide Festival of Artsen
dc.subject.otherAustralian Standard Research Classification > 410100 Performing Artsen
dc.titleSimple Strength Betters Virtuosity. Adelaide Festival 2004 [review]en
dc.typeArticleen
dc.typePreprinten
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