Medley and Hotchpotch. "Christina Stead: Satirist", by Anne Pender. [review]

dc.contributor.authorGribble, Jennifer
dc.date.accessioned2007-07-31T07:04:20Z
dc.date.available2007-07-31T07:04:20Z
dc.date.issued2002-08
dc.description.abstractPender’s is the first study to focus on Stead the satirist (though the claim that ‘critics have chosen to ignore the satire in her fiction’ overstates the case considerably). She locates Stead within a tradition that begins with Horace and Juvenal, and is still current in the postmodernists Pynchon and Rushdie. Pender reads her as part of a general emergence of parodic satire between the wars, in company with Huxley, Waugh and Orwell, and, during the cold war, with Lillian Hellman and Arthur Miller.en
dc.format.extent332971 bytes
dc.format.mimetypeapplication/pdf
dc.identifier.citationGribble, Jennifer 2002. Medley and Hotchpotch. Review of "Christina Stead: Satirist" by Anne Pender. 'Australian Book Review', No 243, August, 38.en
dc.identifier.issn0155-2864
dc.identifier.urihttp://hdl.handle.net/2328/1672
dc.language.isoen
dc.publisherAustralian Book Reviewen
dc.relation.ispartofseriesNo 243en
dc.subjectAustralianen
dc.subjectBook Reviewsen
dc.subjectPublishingen
dc.titleMedley and Hotchpotch. "Christina Stead: Satirist", by Anne Pender. [review]en
dc.typeArticleen
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