Medley and Hotchpotch. "Christina Stead: Satirist", by Anne Pender. [review]

dc.contributor.author Gribble, Jennifer
dc.date.accessioned 2007-07-31T07:04:20Z
dc.date.available 2007-07-31T07:04:20Z
dc.date.issued 2002-08
dc.description.abstract Pender’s is the first study to focus on Stead the satirist (though the claim that ‘critics have chosen to ignore the satire in her fiction’ overstates the case considerably). She locates Stead within a tradition that begins with Horace and Juvenal, and is still current in the postmodernists Pynchon and Rushdie. Pender reads her as part of a general emergence of parodic satire between the wars, in company with Huxley, Waugh and Orwell, and, during the cold war, with Lillian Hellman and Arthur Miller. en
dc.format.extent 332971 bytes
dc.format.mimetype application/pdf
dc.identifier.citation Gribble, Jennifer 2002. Medley and Hotchpotch. Review of "Christina Stead: Satirist" by Anne Pender. 'Australian Book Review', No 243, August, 38. en
dc.identifier.issn 0155-2864
dc.identifier.uri http://hdl.handle.net/2328/1672
dc.language.iso en
dc.publisher Australian Book Review en
dc.relation.ispartofseries No 243 en
dc.subject Australian en
dc.subject Book Reviews en
dc.subject Publishing en
dc.title Medley and Hotchpotch. "Christina Stead: Satirist", by Anne Pender. [review] en
dc.type Article en
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