Proceedings of the 7th Biennial International Conference of Greek Studies, 2007

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This conference was structured around themes related to the wider significance of Greek History and Civilization, including papers on Greek and Cypriot studies from the wider spectrum of the following areas: Literature and Language, Classical Studies, Philosophy, Society and Culture, History and Migration.

The aim of this cross-disciplinary conference was to celebrate the diachronic achievement of Greek culture and allow academics from different fields of research to come together and share their knowledge of related areas, and perhaps to discover ways in which they might collaborate, from their different specialisations, on complex themes. The search for common ground was a major focus of the conference, but it also provided intellectual stimulation for the dynamic Greek community of South Australia and for the many individuals from the wider society who have an interest in Greek studies.


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Now showing 1 - 6 of 77
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    A cultural transition. The different lifestyles of Cyprus and Australia and how the move betweeen countries has impacted my life
    (Flinders University Department of Languages - Modern Greek, 2009) Sidiropoulou, Despina
    Australia and Cyprus are two countries at the opposite ends of the earth, and the lifestyles of the two countries often seem to be of an entirely opposite nature. The two countries have evolved in different ways: where Cyprus has a deep Greek tradition, Australia is a new country with modern viewpoints; where Australians allow modernity to infiltrate their lifestyles, enjoy quiet nights at home, and value mateship, Cypriots are — in today’s modern world — still highly traditional, prone to summer-long, all-night partying, and tend to value family over all else. While there may be more differences that could be placed on this list, tradition versus modernity, recreation, and loyalties provide a general overview as to the widespread differences between the two countries. The differences in these three areas will be broadly shown through the examples of wedding ceremonies, nightlife, and finally in the family togetherness that is often unseen in Australia.
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    The case for the return of the Parthenon Marbles
    (Flinders University Department of Languages - Modern Greek, 2009) Comino, Emanuel J.
    When we speak of the Parthenon, we are speaking about the birth of western civilisation, the birth of democracy and the symbol of Greece. The Marbles were and remain an integral part of the Parthenon as a monument to the glory of Classical Greece and the civilisation it gave to the world. Ownership might never be resolved but present intransigence attracts increasing diplomatic pressure. Surveys of British MPs reveal 66% support for the return of the Marbles. This paper will look at the legality of the ownership of the Marbles, the preservation of them and the current position. The Acropolis Museum allows Britain to show goodwill on this important cultural property issue.
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    Ο μηχανισμός της εντύπωσης στο 'Άσμα Ασμάτων' του Νικολάου Επισκοποπούλου
    (Flinders University Department of Languages - Modern Greek, 2009) Pieri, Angela
    Please note: this article is in Greek. The mechanism of impression in Nikolaos Episkopopoulos’s “Asma Asmaton”: Representation, reality’s artistic transformation, present in literature and visual arts, is expressed in various ways; among others, by impression, the later defined as the object’s representation through the senses of the recipient. In this paper, we discuss the ways of presentation and activation of the mechanism of impression in Nikolaos Episkopopoulos’s (1874–1944) “Asma Asmaton”. Impression serves, firstly, author’s exclusive task to represent the “ideal–perfect” love and secondly the recipient’s engagement in terms of comprehension of the multi-level theme’s representation. The process towards achieving impression and reaching synaesthesia is inhibited by words that directly or indirectly refer to the human senses.
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    Η θεωρητική και λογοτεχνική διάσταση της 'διηγηματικής εγκυκλοπαίδειας' του Εμμανουήλ Ροΐδη: 'Τοις Εντευξομένοις', 'Ιστορία μιας γάτας'
    (Flinders University Department of Languages - Modern Greek, 2009) Stamataki, Joanna
    Please note: this article is in Greek. The theoretical and literary aspect of the roidian “narrative encyclopedia”: “Tois Entefksomenois”, “Istoria mias gatas”: This paper deals with the generic definition of “narrative encyclopedia” which was first introduced in Emm. Roides’ Papissa Ioanna in 1866. The roidian encyclopedia brings together different types of speech and at the same time it exemplifies the stylistical theory of the writer. The result of the above process is that the so called “pezografimata” (prose works) of Roidis, are turned into both literary and theoretical texts, which permits their reevaluation and their reinterpretation. The introductory text of Papissa Ioanna, which is entitled “Tois Entefksomenois” (“To the readers”), exemplifies the roidian stylistical theory and so it acquires — apart from it’s informative character — a literary hint. So the “Tois Entefksomenois” becomes a primary element of the main narration of Papissa. The counter-march (literature-theory) is followed by the text “Istoria mias gatas” (“The story of a cat”) which has a strong theoretical character, despite it’s literary covering. This theoretical character is brought on the surface through certain relative correlations, which transform the text into an allegorical narration. So, it turns out that the roidian “narrative encyclopedia” combines both theoretical and literary speech (and in some other cases the philosophical speech) and so it gets beyond the one-dimensional nature of other genres. By following the example of German Romanticism Roidis forms a new genre, which thematizes theory and at the same time it gains an exemplary value.
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    Λουκή Ακρίτα Ο Κάμπος: Ένα νατουραλιστικό μυθιστόρημα με αλληγορική λειτουργία
    (Flinders University Department of Languages - Modern Greek, 2009) Herodotou, Maria
    Please note: this article is in Greek. Loukis Akritas’ The Plain: A naturalistic novel and it’s allegorical function: This paper having as a point of reference Fredric Jameson’s thesis that all literary texts should be read and interpreted as political texts, as well as national allegories, examines whether this could be applied to the novel The Plain (1936), [Ο Κάμπος] written by the Cypriot writer Loukis Akritas. This is an important novel as it was written in the inter-World War period when Cyprus was a British colony. The upheaval and unrest on the island at the time prompted the enforcement of a dictatorship (including a censorship) by the British. The analysis of the novel reveals that the writer’s use of naturalism indeed functions as an allegory to depict the harsh conditions suffered by the agrarian sector of Cyprus at the time. The ruthless masters of the “Plain” could be paralleled to the colonial rulers. Furthermore the problems of this sector of the society could to a great extent be attributed to their rule. The allegory also helps the writer to overcome the problem of censorship. The political interpretation of this particular novel therefore affirms Jameson’s thesis.
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    Δαρβινικό και θετικιστικό πνεύμα στις ιστορίες ζώων του Εμμανουήλ Ροΐδη
    (Flinders University Department of Languages - Modern Greek, 2009) Voyiatzaki, Evi
    Please note: this article is in Greek. The Darwinian and the positivistic tendency in Roidis short stories dealing with animals: Focusing on “The story of a horse” (1894) and “The story of a hen-coop” (1897), it maintains that the metonymic and allegorical patterns of the animal short stories draw upon Darwin’s scientific thought, Taine’s aesthetics on fable, and Zola’s version of Darwinism as it appears in his preoccupation with the causal relations permeating phenomena. Darwin’s anthropomorphism and zoomorphism, and Zola’s notion of the human beast are employed in a web of reciprocal relationships between natural and social world to support Roidis’ aesthetic predilection for an art varying from the sublime to ridiculous. In drawing a constant parallel between man and animal for satirical and ethical purposes, Roidis’ text invites diverse discourses (philosophical or/and physiological treatise, social analysis, medical document and so on) thus creating the idiosyncratic and intricate style of his poetics.