1903 - Journalism and Professional Writing

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This collection contains Flinders' research in Journalism and Professional Writing, as reported for ERA 2012.

Where copyright and other restrictions allow, full text content is available.


Recent Submissions

Now showing 1 - 6 of 8
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    Campaign cartoons: no more man of steel
    ( 2010) Manning, Haydon Richard ; Phiddian, Robert Andrew
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    One Who Didn't Get Away: Bruce Petty Goes to London
    (Lythrum Press, 2006) Phiddian, Robert Andrew
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    Sexism and the cartoonists' licence
    ( 2005) Manning, Haydon Richard
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    The political cartoon and the editor
    ( 2005) Manning, Haydon Richard ; Phiddian, Robert Andrew
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    Political Cartoonists and the Law
    (Network Books, 2008) Phiddian, Robert Andrew ; Handsley, Elizabeth
    Political cartoonists feel various forces for ‘censorship’ on and in their work. Often these are informal pressures that are based on moral or commercial interests, or the amorphous notion of ‘good taste’.1 This chapter seeks to focus on the formal legal pressures on cartoonists. We suspect that cartoonists fear (and are led to fear by cautious editorial staff) more legal sanction than is likely to be the case, and that ‘legalling’ of cartoons before publication is often a cover for other sensitivities. But we first need to look at the state of the law.
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    Introduction: Controversial Images
    (Network Books, 2008) Phiddian, Robert Andrew ; Manning, Haydon Richard
    There appears to be a growing sensitivity to cartoons’ potential impact in public debate, and so it is a good time to ask what the role of cartoons is in Australian politics, policy and media. This collection brings together cartoonists, media professionals and researchers all, in their different ways, fascinated by the contribution cartoons make to our public life. The range of backgrounds of the contributors has led to a rich range of writing styles and approaches; as editors, we have not sought to impose a uniform method on the chapters, but have especially encouraged the cartoonists and media professionals to write from their experience rather than in an imitation of academic style.