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This collection contains works that discuss seventeenth-century Italian romance literature, the work of nineteenth-century author Carlo Emilio Gadda and other aspects of Italian literature.
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Browsing Published works by Subject "Australian Standard Research Classification > Literature Studies > 420208 Italian"
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ItemJourneys and Discovery in Seventeenth-Century Italian Prose Romances(Dept. of Italian, University of Melbourne, 1991) Baker, Margaret AnneThis paper has its starting point in the work on seventeenth-century Italian prose romances first published twenty years ago by Albert N. Mancini who identified, among other aspects of this genre, the centrality of court life in motivation action, providing a structural link for the development of plot, and establishing a typology for the protagonists. In the present discussion, examples will be given of thematic and expressive patterns taken from a number of seventeenth-century writers who draw on the heroic-gallant model. As well, it will be shown that the writers' focus on court life (or an extension of it) introduces, through the motif of travel, new possibilites for narrative development.
ItemNarrators and their Reporting in the Prose Romance Trilogy of Giovanni Francesco Biondi(The Italian Discipline, The Flinders University of South Australia, 1992) Baker, Margaret AnneIn the judgement of some of his contemporaries, Giovanni Francesco Biondi, the first seventeenth-century Italian writer to publish a romance in prose, is among the few to distinguish themselves in the new genre. The impression one gains from reading Biondi’s trilogy is that there has been stylistic vigilance in representing situation and character interaction. There are some departures from the narrative techniques found in earlier chivalric romances, especially in reporting speech. The present study looks at the relationship between some of these stylistic effects and the author’s possible intention of mirroring aspects of the contemporary cultural-social environment within his trilogy.
ItemReflections Cast on Inferno XXXI-XXXIV by Primo Levi's Account of Auschwitz.(Australian Humanities Press, 2000) Baker, Margaret AnneIn ‘Se questo è un uomo’, Primo Levi tells his “ghastly tale” of his months in a Nazi concentration camp by evoking occasional comparison with parts of Dante’s ‘Inferno’. When, decades later, he returns to write about the ‘Lager’ in ‘I sommersi e i salvati’, he draws once more on imagery from the ‘Inferno’ to support the narration of his own past experience. As happens with literary borrowings, homage to an earlier work can serve to quicken our perceptions towards both the ancient and the modern text. Through their relationship to aspects of Dante’s Ninth Circle, Levi’s texts gain depth for their portrayal of the misery and degradation that they record and at the same time serve to strengthen our reading of ‘Inferno’ XXXI-XXXIV.
ItemSome thoughts on historical narrative in twentieth-century Italian literature(Dept. of Italian, University of Melbourne, 1999) Baker, Margaret AnneThe presence of historically-based narrative (i.e. prose writing that brings the past into focus) has been noticeable in Italian writing throughout this century and particularly so in the later half of the century. Recent critical interest has drawn attention to the continuing flow of historical novels, but an extensive survey of the use of Italian prose in the twentieth century would need to take account not only of the historical novel (and the great diversity of approach to it) but also of writing not strictly within this genre, writing that has been guided by personal history and not (or not solely) by a cultural interest in more general perspectives. From the end-point of the twentieth century, the ideological positions of earlier decades reveal themselves more clearly as restraints that influenced literary choices and had particular effect on the novelist's interpretation of history, as well on the reception of the viewpoint expressed.
ItemThe Women Characters of Carlo Emilio Gadda(Berg, 1993) Baker, Margaret AnneLike his predecessors in Naturalism, Carlo Emilio Gadda (1893-1973) has given us women characters of remarkable vitality. By the time of his first recorded writing, during World War I, the earlier representation of female characters had changed, allowing for the inclusion of qualities verging on the irregular and the bizarre. This characteristic is a feature of many of Gadda’s women characters who display an astonishing range of physical defects. Whatever their station or narrative function, his description of them often contains elements of distortion, although this rarely has the effect of individualising them. It will be argued that the presence of such women characters in Gadda’s work has a precise function in his representation of the world.