Volume 1 Issue 1 March 2002

Permanent URI for this collection

https://hdl.handle.net/2328/45

This collection contains the articles featured in FULGOR Volume 1, Issue 1, March 2002.

News

You can visit FULGOR for further information about the journal and its contributors.

Browse

Browsing Volume 1 Issue 1 March 2002 by Subject "Australian Standard Research Classification> Literature Studies > 420208 Italian"
Now showing 1 - 2 of 2
  • Item
    Carlo Emilio Gadda's Luigi di Francia
    (Department of Languages, Flinders University, 2002-03) Baker, Margaret Anne
    The work that Gadda prepared for publication from the series of broadcasts on Louis XIII-XV of France during 1952 has largely been overlooked by critics. It is the aim of this article to show that, although there are certain unusual features in the text of I Luigi di Francia which arise from its origins in radio scripts, the work is recognisably Gaddian in its main stylistic and thematic concerns. In tracing some of the background to the text, due acknowledgement is made of the scholarly work already done on the history of the text by Gianmarco Gaspari, the compiler of the Notes on this text for the Garzanti edition of Gadda's Opere; Gaspari's implied conclusion that this is not the least Gaddian of the author's work, and his important conclusions about the degree to which the work was based on source material, offers the opportunity here for an analysis and explicit statement of the nature of the text and of its reflection of significant points in the span of Gadda's writing.
  • Item
    Matelda in the Terrestrial Paradise
    (Department of Languages, Flinders University, 2002-03) Glenn, Diana Cavuoto
    This analysis of the enigmatic figure of Matelda, guardian of the Terrestrial Paradise in Dante's Purgatorio, considers both the unresolved question of Matelda's historical identity, in particular whether Dante is alluding to the historical personage, Countess Matilda of Tuscany (1046-1115), and the numerous critical glosses that have emerged over the years, whereby Matelda has been interpreted as a symbolic figure, for example, as the biblical typology of the active/contemplative life, as the representation of human wisdom, or in a variety of other symbolic guises. Whilst alluding to recognisable idyllic poetic images, such as the donna angelicata of the vernacular tradition, Dante's conceptualisation of Matelda is nevertheless aligned to the pilgrim-poet's own development in via of a redemptive poetics in which the writer articulates an urgent message of reform, at both the secular and ecclesiastical levels. The linking of Matelda with the notion of the loss of the prelapsarian state of humankind's innocence and her supervision of the penitential cleansing rites performed on Dante-protagonist, in anticipation of his ascent to Paradise in the company of Beatrice, represent crucial moments in Dante's mapping out of prudential history for his readers and his call for a recovery of Christian values.