We are delighted with the response to our journal over the last year, and with the range of excellent contributions coming our way. This issue again shows how readily readers, students and scholars engage with the traditional and popular art of interview, often the very best way to learn more about writers and their craft. The writers can speak directly, without being subject to interpretation or theorising.
We are proud that this issue contains a mixture of writers old and new, established and not yet well-known. The writers featured here are from Canada, Australia, the UK and Bosnia; the chief forms used are novels and poetry although, as the interviews show, each field has infinite flexibility. The interviews, we hope, will prompt readers to try the work of these exciting voices.
Collectively, through the interviews, these writers share some very topical preoccupations; we also learn about the forms they use, who they write for and why they write. We hope you will enjoy reading them as much as we have.
Nick Turner and Gillian Dooley, Editors
From Volume 4, no. 1, February 2017 Writers in Conversation will be published in Open Journal Systems and this website will no longer be updated.
Browsing Volume 2, No. 1, February 2015 by Subject "Australian poetry"
Ken Bolton is iconic, as far as Australian poets go, yet he remains a figure somewhat on the outer. For instance, he was not included in the comprehensive Australian Poetry since 1788, yet it was noted in the Australian that he should have been. His books, though shortlisted, have never won a Premier’s prize, yet Monash University held ‘A Ken Bolton Day: a symposium celebrating the writings and influences of poet, art critic and publisher Ken Bolton’. His style of poetry is uniquely his, termed as ‘Boltonian’ , and has been imitated by many a poet. In the late 70s, Ken’s first book, Four Poems, was published by Sea Cruise press, a press which he helped to establish. Back then he was also the editor of the journal Magic Sam, where he regularly published his own work alongside his poet-friends. What Ken was doing with poetry at the time was unconventional; someone had to publish it so why not him? Clearly the lifestyle of writing and publishing writing worked for him because he has since had more than twenty books of poetry published (including a Selected Poems, put out by Penguin in 1992 and another from Shearsman in 2012), started another publishing press (Little Esther Books) and edited another journal (Otis Rush). He also edited the anthology Homage to John Forbes. His art criticism has been collected (as Art Writing, 1990 to the 2000s, published by the Contemporary Art Centre of South Australia) and much of it collected and regularly updated on the AEAF website as The Formguide. In this interview, Ken talks about his poetry, other people’s poetry, humour and John Jenkins and how the two often connect, art, the 70s, Sydney and Adelaide, and plagiarising his own words.